On December 21, 2025, the halls of the Tanta Cultural Center came alive with the opening of my solo exhibition, “Atyaf Baqia” (Lingering Spectrums).
This event marked a significant milestone, celebrating a visual dialogue on memory, texture, and form within the Gharbia Governorate.

Here are the highlights from this memorable occasion, organized by the Ministry of Culture and extensively covered by national media.

Organized by the General Authority for Culture Palaces

The exhibition was inaugurated under the distinguished creative programs of the General Organization of Culture Palaces (GOCP), presided over by Major General Khaled El-Labban. This official support underscores the state’s commitment to enriching the artistic scene across Egypt’s governorates.

Community Engagement & Workshops
Beyond the gallery display, a distinct feature of this event was its educational outreach. The program included diverse artistic workshops for students, creating a bridge between the professional art world and the next generation of creatives. Seeing young students engage with the concepts of “Eternal Spectrums” was truly the heart of the event.

Distinguished Attendees
The opening ceremony was honored by the presence of leadership figures who played a pivotal role in the event’s success:

• Mr. Wael Shaheen, Director of Gharbia Culture.

• Lt. Col. Ahmed Mongi, Assistant Military Advisor for the Governorate.

• Ms. Azza Adel, Director of the Cultural Center.

Media Spotlight: Al-Ahram Gate Coverage

I am deeply honored by the critical acclaim and extensive media coverage the exhibition received, most notably from Al-Ahram Gate, Egypt’s premier news outlet.

The feature, penned by the esteemed journalist Mr. Mohamed Taher, provided an insightful look into the artworks and the event’s cultural impact. This documentation by such a prestigious platform serves as a valuable archive for my artistic journey.

“Lingering Spectrums” is an exploration of the traces we leave behind, whether on a canvas or in the minds of others. I extend my sincere gratitude to the Ministry of Culture, the General Organization of Culture Palaces, and the esteemed journalists who helped share this vision with a wider audience.